Superman Director Actor Rumored

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Frenchmen! This is a rehearsal. Hold those policemen. A famous film actor will presently come running out of this house. He is an arch-criminal but he must escape. You are asked to prevent them from grabbing him. This is part of the plot. French crowd! I want you to make a free passage for him from door to car. Remove its driver! Start the motor! Hold those policemen, knock them down, sit on them—we pay them for it. This is a German company, so excuse my French. Les preneurs de vues, my technicians and armed advisers are already among you. Attention! I want a clean getaway. That’s all. Thank you. I am coming out now.
—Vladimir Nabokov (1899–1977)

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This gift of mimicry in the actor is like a gift for likeness in a painter. Such a knack will not make his drawing fine, but it will give him a kind of solid reality which he can begin with and which he can alter and force to his own ends. The painter, for example, takes the landscape as the material for the expression of his idea; it is plain that he can express his idea more adequately if he knows the exact appearance that he works from, and that we, on the other hand, by knowing just what he has done to this material know better what he has expressed. In order to translate a gesture into elegance or extravagance or drunkenness an actor may best begin by being able to reproduce the actual literal gesture that he sees in life. To that literal and basic gesture the shortest cut lies in the power of mimicry. All of which amounts to saying that it is from this actual, literal gesture and the knowledge of what it would be in any given case that all style evolves.
—Stark Young (1881–1963)