Film S1e2 Chosen

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[film noir] experiences periodic rebirth and rediscovery. Whenever we have any moment of deep societal rift or disruption in America, one of the ways we can express it is through the ideas and behavior in film noir.
—John Briley (b. 1925)

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Unthinking people speak of the motion picture as the medium of “action”; the truth is that the stage is the medium of action while the screen is the medium of reaction. It is through identification with the person acted upon on the screen, and not with the person acting, that the film builds up its oscillating power with the audience. This is understood instinctively by expert film-makers, but to my knowledge it has never been formulated. At any emotional crisis in a film, when a character is saying something which profoundly affects another, it is to this second character that the camera instinctively roves, perhaps in close-up; and it is then that the hearts of the audience quiver and open in release, or rock with laughter or shrink with pain, leap to the screen and back again in swift-growing vibrations. The great actors of the stage are actors; of the screen, re-actors.
—Dudley Nichols (b. 1895)