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An honest appraisal of the respective pleasures derived from theater and cinema, at least as to what is less intellectual and more direct about them, forces us to admit that the delight we experience at the end of a play has a more uplifting, a nobler, one might perhaps say a more moral, effect than the satisfaction which follows a good film. We seem to come away with a better conscience. In a certain sense it is as if for the man in the audience all theater is “Corneillian.” From this point of view one could say that in the best films something is missing. It is as if a certain inevitable lowering of the voltage, some mysterious aesthetic short circuit, deprived us in the cinema of a certain tension which is a definite part of theater. No matter how slight this difference it undoubtedly exists, even between the worst charity production in the theater and the most brilliant of Olivier’s film adaptations.
—André Bazin (1918–1958)

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Artists use frauds to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on.
—Kurt Vonnegut, Jr. (b. 1922)