Agatha Christies Poirot Movie Collection

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My movie is born first in my head, dies on paper; is resuscitated by the living persons and real objects I use, which are killed on film but, placed in a certain order and projected on to a screen, come to life again like flowers in water.
—Robert Bresson (b. 1907)

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In the theater the audience is generally riveted to a single angle of observation. The movie director, though, can rapidly shift from objective to subjective—and to any number of subjective points of view—and in so doing seem to pull the audience directly inside the frame of his picture, giving the spectator the sense of experiencing an action from the viewpoint of a participant. Identification of the viewer with the film character, then, can be much more intimate than the analogous situation in the theater.
—Edward Murray, U. S. educator, critic. The Cinematic Imagination, ch. 1, Frederick Ungar Publishing (1972)