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When I got [to Hollywood], all the movie moguls claimed to be astounded by the reality of my films. How did I do it? And Id say, Well, it wasnt hard to make Harlem look like Harlem.
—Shirley Clarke (b. 1925)
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Its idea of production value is spending a million dollars dressing up a story that any good writer would throw away. Its vision of the rewarding movie is a vehicle for some glamour-puss with two expressions and eighteen changes of costume, or for some male idol of the muddled millions with a permanent hangover, six worn-out acting tricks, the build of a lifeguard, and the mentality of a chicken-strangler.
—Raymond Chandler (18881959)
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