Players Movie Download Field

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In the theater the audience is generally riveted to a single angle of observation. The movie director, though, can rapidly shift from objective to subjective—and to any number of subjective points of view—and in so doing seem to pull the audience directly inside the frame of his picture, giving the spectator the sense of experiencing an action from the viewpoint of a participant. Identification of the viewer with the film character, then, can be much more intimate than the analogous situation in the theater.
—Edward Murray, U. S. educator, critic. The Cinematic Imagination, ch. 1, Frederick Ungar Publishing (1972)

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TV acting is so extremely intimate, because of the peculiar involvement of the viewer with the completion or “closing” of the TV image, that the actor must achieve a great degree of spontaneous casualness that would be irrelevant in movie and lost on the stage. For the audience participates in the inner life of the TV actor as fully as in the outer life of the movie star. Technically, TV tends to be a close-up medium. The close-up that in the movie is used for shock is, on TV, a quite casual thing.
—Marshall McLuhan (1911–1980)